{"id":852,"date":"2021-06-10T18:03:39","date_gmt":"2021-06-10T18:03:39","guid":{"rendered":"http:\/\/www.archeologiecaraibes.com\/?portfolio=vase-copy"},"modified":"2026-02-05T14:49:17","modified_gmt":"2026-02-05T14:49:17","slug":"fragment-de-platine-avec-vannerie","status":"publish","type":"portfolio","link":"https:\/\/www.archeologiecaraibes.com\/?portfolio=fragment-de-platine-avec-vannerie","title":{"rendered":"Fragment de platine avec empreinte de vannerie"},"content":{"rendered":"[vc_row thb_divider_position=”bottom” css=”.vc_custom_1718132605561{padding-top: 50px !important;}”][vc_column][vc_tta_tabs][vc_tta_section title=”Fran\u00e7ais” tab_id=”1621184245392-814510f0-1351″][vc_column_text]Fragment de platine avec empreinte de vannerie<\/strong><\/p>\n

De nombreux produits de la culture mat\u00e9rielle des anciens Am\u00e9rindiens ont disparu avec le temps, victimes de l\u2019activit\u00e9 humaine post\u00e9rieure mais aussi des conditions naturelles, notamment l\u2019impact de la faune, l\u2019acidit\u00e9 des sols, l\u2019humidit\u00e9 et l\u2019\u00e9rosion.<\/p>\n

Ainsi, tr\u00e8s peu d\u2019objets pr\u00e9colombiens fabriqu\u00e9s \u00e0 partir de mati\u00e8res v\u00e9g\u00e9tales sont parvenus jusqu\u2019\u00e0 nous, et ils n\u2019incluent aucune pi\u00e8ce de vannerie, alors que les sources ethnohistoriques attestent de l\u2019importance de cet art chez les peuples natifs des Antilles. Au d\u00e9but du XVIIIe si\u00e8cle, le p\u00e8re Jean-Baptiste Labat a longuement d\u00e9crit les \u00ab paniers cara\u00efbes \u00bb, dont la fabrication \u00e9tait si soign\u00e9e, d\u2019apr\u00e8s lui, qu\u2019ils ne laissaient m\u00eame pas passer l\u2019eau. \u00ab Ces paniers sont les coffres et les armoires des Indiens \u00bb, assurait le fameux dominicain.<\/p>\n

Cependant, l\u2019arch\u00e9ologie livre des t\u00e9moignages indirects sur la pratique de la vannerie, gr\u00e2ce \u00e0 des objets en c\u00e9ramique conservant des empreintes caract\u00e9ristiques. C\u2019est le cas du fragment de c\u00e9ramique repr\u00e9sent\u00e9 ici ; il provient du site d\u2019habitat de Dizac Plage (Le Diamant), qui a \u00e9t\u00e9 fouill\u00e9 \u00e0 plusieurs reprises depuis les ann\u00e9es 1960, et constitue aujourd\u2019hui un gisement de r\u00e9f\u00e9rence pour le Salado\u00efde Moyen-R\u00e9cent ou \u00ab Salado\u00efde Modifi\u00e9 \u00bb (350-700 apr\u00e8s J.-C.). Le tesson en question est un bord de platine, grand disque en c\u00e9ramique ayant servi \u00e0 la cuisson de la galette de manioc, la cassave (le manioc \u00e9tait un aliment de base pour les populations am\u00e9rindiennes des Antilles). Le tesson garde la marque d\u2019un ouvrage vann\u00e9, sur lequel la platine avait \u00e9t\u00e9 pos\u00e9e au moment de sa fabrication, avant sa cuisson.<\/p>\n

Si les productions vann\u00e9es pr\u00e9colombiennes ont disparu, la tradition de la vannerie am\u00e9rindienne a, quant \u00e0 elle, \u00e9t\u00e9 perp\u00e9tu\u00e9e jusqu\u2019\u00e0 nos jours ; en Martinique, on peut s\u2019en rendre compte, en particulier, au Morne des Esses (Sainte-Marie).<\/p>\n

S\u00e9bastien PERROT-MINNOT<\/p>\n[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”English” tab_id=”1718132799594-b4a5bda2-7b23″][vc_column_text]\n

Fragment of a Platter with Basketry Imprint<\/h3>\n

Many products of the material culture of the ancient Amerindians have disappeared over time, falling victim to subsequent human activity as well as natural conditions, including the impact of wildlife, soil acidity, humidity, and erosion.<\/p>\n

As a result, very few pre-Columbian objects made from plant materials have survived to the present day, and these do not include any basketry pieces, despite ethnohistorical sources attesting to the importance of this art among the native peoples of the Antilles. In the early 18th century, Father Jean-Baptiste Labat described the “Caribbean baskets” in detail, stating that their craftsmanship was so fine that they did not even let water pass through. “These baskets are the chests and cupboards of the Indians,” the famous Dominican asserted.<\/p>\n

However, archaeology provides indirect evidence of the practice of basketry through ceramic objects bearing characteristic imprints. This is the case with the ceramic fragment represented here; it comes from the habitation site of Dizac Plage (Le Diamant), which has been excavated several times since the 1960s and is now a reference site for the Middle-Late Saladoid or “Modified Saladoid” (350-700 AD). The shard in question is the rim of a platter, a large ceramic disc used for baking cassava bread, known as cassava (cassava was a staple food for the Amerindian populations of the Antilles). The shard bears the mark of a woven object on which the platter was placed at the time of its manufacture before firing.<\/p>\n

Although pre-Columbian basketry productions have disappeared, the tradition of Amerindian basketry has been perpetuated to this day; in Martinique, it is particularly evident in Morne des Esses (Sainte-Marie).<\/p>\n

S\u00e9bastien PERROT-MINNOT<\/p>\n[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Espa\u00f1ol” tab_id=”1621184245377-a4568aec-6fa0″][vc_column_text]\n

Fragmento de Placa con Huella de Cester\u00eda<\/h3>\n

Muchos productos de la cultura material de los antiguos amerindios han desaparecido con el tiempo, v\u00edctimas de la actividad humana posterior, as\u00ed como de las condiciones naturales, como el impacto de la fauna, la acidez del suelo, la humedad y la erosi\u00f3n.<\/p>\n

Como resultado, muy pocos objetos precolombinos hechos de materiales vegetales han sobrevivido hasta nuestros d\u00edas, y estos no incluyen ninguna pieza de cester\u00eda, a pesar de que las fuentes etnohist\u00f3ricas atestiguan la importancia de este arte entre los pueblos nativos de las Antillas. A principios del siglo XVIII, el padre Jean-Baptiste Labat describi\u00f3 en detalle los “cestos caribes”, afirmando que su artesan\u00eda era tan fina que ni siquiera dejaban pasar el agua. “Estos cestos son los ba\u00fales y armarios de los indios”, aseguraba el famoso dominico.<\/p>\n

Sin embargo, la arqueolog\u00eda proporciona evidencia indirecta de la pr\u00e1ctica de la cester\u00eda a trav\u00e9s de objetos de cer\u00e1mica que conservan huellas caracter\u00edsticas. Este es el caso del fragmento de cer\u00e1mica representado aqu\u00ed; proviene del sitio de habitaci\u00f3n de Dizac Plage (Le Diamant), que ha sido excavado varias veces desde la d\u00e9cada de 1960 y ahora es un sitio de referencia para el Saladoide Medio-Tard\u00edo o “Saladoide Modificado” (350-700 d.C.). El fragmento en cuesti\u00f3n es el borde de una placa, un gran disco de cer\u00e1mica utilizado para hornear pan de yuca, conocido como casabe (la yuca era un alimento b\u00e1sico para las poblaciones amerindias de las Antillas). El fragmento conserva la marca de un objeto tejido, sobre el cual se hab\u00eda colocado la placa en el momento de su fabricaci\u00f3n, antes de la cocci\u00f3n.<\/p>\n

Aunque las producciones de cester\u00eda precolombinas han desaparecido, la tradici\u00f3n de la cester\u00eda amerindia se ha perpetuado hasta nuestros d\u00edas; en Martinica, se puede apreciar particularmente en Morne des Esses (Sainte-Marie).<\/p>\n

S\u00e9bastien PERROT-MINNOT<\/p>\n[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Deutch” tab_id=”1718133116310-169416df-c4e6″][vc_column_text]\n

Fragment einer Platte mit Korbflechtabdruck<\/h3>\n

Viele Produkte der materiellen Kultur der alten Amerindianer sind im Laufe der Zeit verschwunden, Opfer der nachfolgenden menschlichen Aktivit\u00e4ten sowie nat\u00fcrlicher Bedingungen wie dem Einfluss von Wildtieren, Bodenazidit\u00e4t, Feuchtigkeit und Erosion.<\/p>\n

Infolgedessen haben nur sehr wenige pr\u00e4kolumbische Objekte aus pflanzlichen Materialien bis heute \u00fcberlebt, und diese schlie\u00dfen keine Korbwaren ein, obwohl ethnohistorische Quellen die Bedeutung dieser Kunst bei den einheimischen V\u00f6lkern der Antillen bezeugen. Anfang des 18. Jahrhunderts beschrieb Pater Jean-Baptiste Labat ausf\u00fchrlich die “Karibikk\u00f6rbe” und stellte fest, dass deren Handwerkskunst so fein war, dass sie nicht einmal Wasser durchlie\u00dfen. “Diese K\u00f6rbe sind die Truhen und Schr\u00e4nke der Indianer”, versicherte der ber\u00fchmte Dominikaner.<\/p>\n

Die Arch\u00e4ologie liefert jedoch indirekte Hinweise auf die Praxis der Korbflechterei durch Keramikobjekte, die charakteristische Abdr\u00fccke aufweisen. Dies ist der Fall bei dem hier dargestellten Keramikfragment; es stammt aus der Wohnst\u00e4tte Dizac Plage (Le Diamant), die seit den 1960er Jahren mehrfach ausgegraben wurde und heute eine Referenzstelle f\u00fcr den Mittel-Sp\u00e4ten Saladoid oder “Modifizierten Saladoid” (350-700 n. Chr.) darstellt. Die betreffende Scherbe ist der Rand einer Platte, einer gro\u00dfen Keramikscheibe, die zum Backen von Maniokbrot, bekannt als Cassava, verwendet wurde (Maniok war ein Grundnahrungsmittel f\u00fcr die amerindischen Bev\u00f6lkerungen der Antillen). Die Scherbe tr\u00e4gt die Markierung eines geflochtenen Objekts, auf das die Platte bei ihrer Herstellung vor dem Brennen gelegt wurde.<\/p>\n

Obwohl pr\u00e4kolumbische Korbproduktionen verschwunden sind, hat sich die Tradition der amerindischen Korbflechterei bis heute erhalten; in Martinique ist sie besonders im Morne des Esses (Sainte-Marie) zu erkennen.<\/p>\n

S\u00e9bastien PERROT-MINNOT<\/p>\n[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row][vc_row thb_divider_position=”bottom”][vc_column][vc_column_text]\n

Voici quelques conseils pour naviguer dans l’espace 3D :<\/strong><\/p>\n

Mode Orbit<\/strong> : Faites glisser avec 1 doigt ou utilisez le bouton gauche de la souris pour bouger la cam\u00e9ra.
\nPanoramique<\/strong> : Glissez avec 2 doigts, utilisez le bouton droit de la souris ou appuyez sur SHIFT + bouton gauche de la souris.
\nZoom sur l’objet<\/strong> : Double-tapez ou double-cliquez sur l’objet.
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\nZoom<\/strong> : Pincez avec les doigts ou utilisez la molette de la souris ou CTRL + bouton gauche de la souris.[\/vc_column_text][\/vc_column][\/vc_row][vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true” content_placement=”middle” thb_divider_position=”bottom” css=”.vc_custom_1621871369133{padding-top: 150px !important;}”][vc_column width=”1\/6″][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1621187214123{border-top-width: 50px !important;border-bottom-width: 50px !important;}”][vc_raw_html]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[\/vc_raw_html][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row thb_divider_position=”bottom” css=”.vc_custom_1621187325554{padding-top: 50px !important;padding-bottom: 80px !important;}”][vc_column][vc_column_text]\n

D\u00e9couvrez un une mise en voix<\/strong><\/p>\n

Texte : <\/strong>S\u00e9bastien PERROT-MINNOT
\n<\/strong>Enregistrement<\/strong> : Studio Raggioli<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row thb_divider_position=”bottom”][vc_column][vc_raw_html]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[\/vc_raw_html][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row thb_divider_position=”bottom” css=”.vc_custom_1718132605561{padding-top: 50px !important;}”][vc_column][vc_tta_tabs][vc_tta_section title=”Fran\u00e7ais” tab_id=”1621184245392-814510f0-1351″][vc_column_text]Fragment de platine avec empreinte de vannerie De nombreux produits de la culture mat\u00e9rielle des anciens Am\u00e9rindiens ont disparu avec le temps, victimes de l\u2019activit\u00e9 humaine post\u00e9rieure mais aussi des conditions naturelles, notamment l\u2019impact de la faune, l\u2019acidit\u00e9 des sols, l\u2019humidit\u00e9 et l\u2019\u00e9rosion. Ainsi, tr\u00e8s peu d\u2019objets pr\u00e9colombiens fabriqu\u00e9s…<\/p>\n","protected":false},"author":1,"featured_media":875,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"class_list":["post-852","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-category-ceramiques"],"yoast_head":"\nFragment de platine avec empreinte de vannerie - Arch\u00e9ologie des Cara\u00efbes<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.archeologiecaraibes.com\/?portfolio=fragment-de-platine-avec-vannerie\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fragment de platine avec empreinte de vannerie - Arch\u00e9ologie des Cara\u00efbes\" \/>\n<meta property=\"og:description\" content=\"[vc_row thb_divider_position=”bottom” css=”.vc_custom_1718132605561{padding-top: 50px !important;}”][vc_column][vc_tta_tabs][vc_tta_section title=”Fran\u00e7ais” tab_id=”1621184245392-814510f0-1351″][vc_column_text]Fragment de platine avec empreinte de vannerie De nombreux produits de la culture mat\u00e9rielle des anciens Am\u00e9rindiens ont disparu avec le temps, victimes de l\u2019activit\u00e9 humaine post\u00e9rieure mais aussi des conditions naturelles, notamment l\u2019impact de la faune, l\u2019acidit\u00e9 des sols, l\u2019humidit\u00e9 et l\u2019\u00e9rosion. 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