{"id":762,"date":"2021-05-24T13:37:35","date_gmt":"2021-05-24T13:37:35","guid":{"rendered":"http:\/\/www.archeologiecaraibes.com\/?post_type=portfolio&p=762"},"modified":"2026-02-05T14:33:39","modified_gmt":"2026-02-05T14:33:39","slug":"art-rupestre-amerindien-montravail","status":"publish","type":"portfolio","link":"https:\/\/www.archeologiecaraibes.com\/?portfolio=art-rupestre-amerindien-montravail","title":{"rendered":"Les roches grav\u00e9es de Montravail"},"content":{"rendered":"[vc_row thb_divider_position=”bottom” css=”.vc_custom_1718119704272{padding-top: 50px !important;padding-bottom: 50px !important;}”][vc_column][vc_tta_tabs][vc_tta_section title=”Fran\u00e7ais” tab_id=”1718117850892-db298b2d-5110″][vc_column_text]\n

Les roches grav\u00e9es de Montravail<\/strong><\/h3>\n

L\u2019art rupestre, qui consiste \u00e0 cr\u00e9er des motifs sur la roche naturelle, est une des plus anciennes formes d\u2019expression graphique de l\u2019Humanit\u00e9. Attest\u00e9 depuis plus de 40 000 ans, il a \u00e9t\u00e9 pratiqu\u00e9 par des soci\u00e9t\u00e9s traditionnelles \u00e0 travers le monde, jusqu\u2019\u00e0 l\u2019\u00e9poque contemporaine. Ses gravures (p\u00e9troglyphes) et peintures (pictogrammes) \u00e9taient g\u00e9n\u00e9ralement charg\u00e9es d\u2019un puissant symbolisme.<\/p>\n

Aux Antilles, l\u2019art rupestre repr\u00e9sente un aspect important du patrimoine am\u00e9rindien : on le trouve sur des dizaines ou peut-\u00eatre des centaines de sites arch\u00e9ologiques de l\u2019archipel. Deux de ces sites ont \u00e9t\u00e9 document\u00e9s en Martinique : ceux de Montravail (Sainte-Luce), du Galion (La Trinit\u00e9) . Le premier lieu est localis\u00e9 pr\u00e8s du sommet d\u2019un morne, en bordure de la for\u00eat de Montravail ; il offre une vue spectaculaire sur la c\u00f4te sud de la Martinique et la mer des Cara\u00efbes.<\/p>\n

Le chaos de roches volcaniques de Montravail a r\u00e9v\u00e9l\u00e9, sur une surface de 18 x 8 m, un ensemble de 5 blocs grav\u00e9s de visages sch\u00e9matiques. Ces p\u00e9troglyphes, piquet\u00e9s, \u00e9pousent le relief naturel. La roche orn\u00e9e principale (Bloc A) pr\u00e9sente une douzaine de visages sur une grande face verticale qui semble avoir \u00e9t\u00e9 quelque peu am\u00e9nag\u00e9e pour en faire une sorte de panneau\u00a0; ces motifs comprennent une figure \u00e0 la bouche en trident, que l\u2019on retrouve sur deux roches du Galion, \u00e0 La Trinit\u00e9, mais qui n\u2019a \u00e9t\u00e9 signal\u00e9e nulle part ailleurs dans l\u2019art rupestre antillais. En outre, certains blocs de Montravail comportent des \u00ab\u00a0cupules\u00a0\u00bb et des formes circulaires ou ovales l\u00e9g\u00e8rement concaves.<\/p>\n

Les sondages arch\u00e9ologiques ouverts sur le site ont livr\u00e9 tr\u00e8s peu de mobilier am\u00e9rindien\u00a0: des tessons de c\u00e9ramique, des outils en pierre qui ont manifestement servi \u00e0 graver les roches et un petit morceau d\u2019ocre rouge, qui sugg\u00e8re que les p\u00e9troglyphes \u00e9taient peints. Sur d\u2019autres \u00eeles de la r\u00e9gion, d\u2019ailleurs, des traces de peinture ont \u00e9t\u00e9 observ\u00e9es dans des gravures rupestres pr\u00e9colombiennes.<\/p>\n

Apparemment, le site de Montravail \u00e9tait \u00e0 l\u2019\u00e9cart de l\u2019habitat pr\u00e9colonial\u00a0: les gisements des \u00e9tablissements am\u00e9rindiens connus les plus proches sont localis\u00e9s \u00e0 quelques kilom\u00e8tres de l\u00e0, sur la c\u00f4te de Sainte-Luce. De fait, Montravail est un des rares sites arch\u00e9ologiques pr\u00e9colombiens de Martinique \u00e0 avoir \u00e9t\u00e9 d\u00e9couverts \u00e0 l\u2019int\u00e9rieur de l\u2019\u00eele\u2026 La c\u00e9ramique qui y a \u00e9t\u00e9 mise au jour tend \u00e0 montrer que l\u2019art rupestre y a \u00e9t\u00e9 pratiqu\u00e9 par les Salado\u00efdes au cours d\u2019une phase allant de 350 \u00e0 700 apr\u00e8s J.-C.<\/p>\n

Originaire du bassin de l\u2019Or\u00e9noque (Am\u00e9rique du Sud), le peuple salado\u00efde, de langue arawakienne, s\u2019est progressivement r\u00e9pandu dans l\u2019arc antillais \u00e0 partir du Ve si\u00e8cle avant J.-C., diffusant dans les \u00eeles un mode de vie villageois, l\u2019horticulture, l\u2019usage de la c\u00e9ramique mais aussi des symboles et des croyances. Dans la culture salado\u00efde, l\u2019art rupestre avait manifestement une fonction rituelle, mais son interpr\u00e9tation demeure tr\u00e8s difficile. Que pouvaient bien repr\u00e9senter les visages grav\u00e9s de Montravail et de tant d\u2019autres sites pr\u00e9colombiens des Antilles\u00a0? Des esprits\u00a0? Des individus remarquables\u00a0? Quel pouvait \u00eatre le symbolisme des motifs circulaires ou ovales\u00a0? Et \u00e0 quoi pouvaient bien servir les \u00ab\u00a0cupules\u00a0\u00bb accompagnant parfois les p\u00e9troglyphes antillais\u00a0? Ces t\u00e9moignages des roches sont entour\u00e9s de myst\u00e8re\u2026<\/p>\n

S\u00e9bastien PERROT-MINNOT<\/div>\n[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Espa\u00f1ol” tab_id=”1621184245377-a4568aec-6fa0″][vc_column_text]\n

Las Rocas Grabadas de Montravail<\/strong><\/h3>\n

El arte rupestre, que consiste en crear motivos en la roca natural, es una de las formas m\u00e1s antiguas de expresi\u00f3n gr\u00e1fica de la humanidad. Evidenciado desde hace m\u00e1s de 40.000 a\u00f1os, ha sido practicado por sociedades tradicionales en todo el mundo hasta la \u00e9poca contempor\u00e1nea. Sus grabados (petroglifos) y pinturas (pictogramas) estaban generalmente cargados de un poderoso simbolismo.<\/p>\n

En el Caribe, el arte rupestre representa un aspecto importante del patrimonio amerindio: se encuentra en decenas o tal vez cientos de sitios arqueol\u00f3gicos en todo el archipi\u00e9lago. Dos de estos sitios han sido documentados en Martinica: Montravail (Sainte-Luce) y Galion (La Trinit\u00e9). El primero est\u00e1 ubicado cerca de la cima de una colina, al borde del bosque de Montravail, ofreciendo una vista espectacular de la costa sur de Martinica y el mar Caribe.<\/p>\n

Las formaciones de rocas volc\u00e1nicas de Montravail han revelado, en un \u00e1rea de 18 x 8 metros, una colecci\u00f3n de cinco bloques grabados con rostros esquem\u00e1ticos. Estos petroglifos, picados, siguen el relieve natural de la roca. La roca principal decorada (Bloque A) presenta una docena de rostros en una gran superficie vertical que parece haber sido algo modificada para crear una especie de panel; estos motivos incluyen una figura con una boca en forma de tridente, que tambi\u00e9n se encuentra en dos rocas de Galion, La Trinit\u00e9, pero que no se ha reportado en ning\u00fan otro lugar del arte rupestre caribe\u00f1o. Adem\u00e1s, algunos bloques de Montravail presentan “c\u00fapulas” y formas circulares u ovales ligeramente c\u00f3ncavas.<\/p>\n

Las prospecciones arqueol\u00f3gicas en el sitio han arrojado muy pocos artefactos amerindios: fragmentos de cer\u00e1mica, herramientas de piedra que evidentemente se utilizaron para grabar las rocas y un peque\u00f1o trozo de ocre rojo, lo que sugiere que los petroglifos estaban pintados. En otras islas de la regi\u00f3n, de hecho, se han observado rastros de pintura en grabados rupestres precolombinos.<\/p>\n

Aparentemente, el sitio de Montravail estaba apartado de los asentamientos precolombinos: los yacimientos de los asentamientos amerindios m\u00e1s cercanos conocidos est\u00e1n ubicados a unos pocos kil\u00f3metros de distancia, en la costa de Sainte-Luce. De hecho, Montravail es uno de los pocos sitios arqueol\u00f3gicos precolombinos de Martinica descubiertos en el interior de la isla. La cer\u00e1mica encontrada all\u00ed indica que el arte rupestre fue creado por el pueblo saladoide durante una fase que abarca del 350 al 700 d.C.<\/p>\n

Originario de la cuenca del Orinoco (Sudam\u00e9rica), el pueblo saladoide, que hablaba una lengua arawak, se expandi\u00f3 gradualmente por el arco antillano desde el siglo V a.C., difundiendo en las islas un estilo de vida de aldeas, la horticultura, el uso de la cer\u00e1mica, as\u00ed como s\u00edmbolos y creencias. En la cultura saladoide, el arte rupestre aparentemente ten\u00eda una funci\u00f3n ritual, pero su interpretaci\u00f3n sigue siendo muy dif\u00edcil. \u00bfQu\u00e9 podr\u00edan representar los rostros grabados en Montravail y en tantos otros sitios precolombinos del Caribe? \u00bfEsp\u00edritus? \u00bfIndividuos notables? \u00bfCu\u00e1l podr\u00eda ser el simbolismo de los motivos circulares u ovales? \u00bfY cu\u00e1l podr\u00eda ser el prop\u00f3sito de las “c\u00fapulas” que a veces acompa\u00f1an a los petroglifos caribe\u00f1os? Estos testimonios en las rocas est\u00e1n rodeados de misterio…<\/p>\n

S\u00e9bastien PERROT-MINNOT<\/div>\n
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The Engraved Rocks of Montravail<\/strong><\/h3>\n

Rock art, which involves creating motifs on natural rock, is one of the oldest forms of human graphic expression. Evidenced for over 40,000 years, it has been practiced by traditional societies worldwide up to contemporary times. These engravings (petroglyphs) and paintings (pictograms) were generally laden with powerful symbolism.<\/p>\n

In the Caribbean, rock art represents an important aspect of Amerindian heritage: it is found on dozens or perhaps hundreds of archaeological sites throughout the archipelago. Two such sites have been documented in Martinique: Montravail (Sainte-Luce) and Galion (La Trinit\u00e9). The former is located near the summit of a hill, at the edge of the Montravail forest, offering a spectacular view of Martinique’s southern coast and the Caribbean Sea.<\/p>\n

The volcanic rock formations of Montravail have revealed, over an area of 18 x 8 meters, a collection of five blocks engraved with schematic faces. These pecked petroglyphs follow the natural relief of the rock. The main decorated rock (Block A) features a dozen faces on a large vertical surface that seems to have been somewhat modified to create a sort of panel; these motifs include a figure with a trident-shaped mouth, which is also found on two rocks at Galion, La Trinit\u00e9, but is not reported elsewhere in Caribbean rock art. Additionally, some Montravail blocks feature “cupules” and slightly concave circular or oval shapes.<\/p>\n

Archaeological surveys at the site have yielded very few Amerindian artifacts: pottery shards, stone tools that were evidently used to engrave the rocks, and a small piece of red ocher, suggesting the petroglyphs were painted. On other islands in the region, traces of paint have indeed been observed on pre-Columbian rock engravings.<\/p>\n

Apparently, the Montravail site was away from pre-Columbian habitation areas: the nearest known Amerindian settlements are located a few kilometers away, on the coast of Sainte-Luce. In fact, Montravail is one of the few pre-Columbian archaeological sites in Martinique discovered inland. The pottery found there indicates that the rock art was created by the Saladoid people during a phase spanning from 350 to 700 AD.<\/p>\n

Originating from the Orinoco basin (South America), the Saladoid people, speaking an Arawak language, gradually spread through the Antilles from the 5th century BC, bringing to the islands a village lifestyle, horticulture, the use of ceramics, as well as symbols and beliefs. In Saladoid culture, rock art apparently had a ritual function, but its interpretation remains very challenging. What could the engraved faces at Montravail and many other pre-Columbian sites in the Caribbean represent? Spirits? Notable individuals? What could be the symbolism of the circular or oval motifs? And what could be the purpose of the “cupules” sometimes accompanying Caribbean petroglyphs? These rock testimonies are shrouded in mystery…<\/p>\n

S\u00e9bastien PERROT-MINNOT<\/div>\n
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Die Gravierten Felsen von Montravail<\/strong><\/h3>\n

Felskunst, die darin besteht, Motive auf nat\u00fcrlichem Fels zu schaffen, ist eine der \u00e4ltesten Formen grafischen Ausdrucks der Menschheit. Seit mehr als 40.000 Jahren bezeugt, wurde sie von traditionellen Gesellschaften weltweit bis in die heutige Zeit praktiziert. Diese Gravuren (Petroglyphen) und Malereien (Piktogramme) waren in der Regel mit starkem Symbolismus beladen.<\/p>\n

In der Karibik stellt die Felskunst einen wichtigen Aspekt des amerindischen Erbes dar: Sie findet sich auf Dutzenden oder vielleicht Hunderten von arch\u00e4ologischen St\u00e4tten im gesamten Archipel. Zwei dieser St\u00e4tten wurden in Martinique dokumentiert: Montravail (Sainte-Luce) und Galion (La Trinit\u00e9). Erstere befindet sich in der N\u00e4he des Gipfels eines H\u00fcgels, am Rande des Montravail-Waldes und bietet einen spektakul\u00e4ren Blick auf die S\u00fcdk\u00fcste von Martinique und das Karibische Meer.<\/p>\n

Die vulkanischen Felsformationen von Montravail haben auf einer Fl\u00e4che von 18 x 8 Metern eine Sammlung von f\u00fcnf Bl\u00f6cken mit eingravierten schematischen Gesichtern enth\u00fcllt. Diese gepickten Petroglyphen folgen dem nat\u00fcrlichen Relief des Felsens. Der Hauptverzierte Felsen (Block A) zeigt ein Dutzend Gesichter auf einer gro\u00dfen vertikalen Fl\u00e4che, die anscheinend etwas modifiziert wurde, um eine Art Tafel zu schaffen; diese Motive umfassen eine Figur mit einem dreizackigen Mund, die auch auf zwei Felsen bei Galion, La Trinit\u00e9, gefunden wurde, jedoch nirgendwo sonst in der karibischen Felskunst gemeldet wurde. Dar\u00fcber hinaus weisen einige Montravail-Bl\u00f6cke \u201eSch\u00e4lchen\u201c und leicht konkave kreisf\u00f6rmige oder ovale Formen auf.<\/p>\n

Arch\u00e4ologische Untersuchungen an der St\u00e4tte haben nur sehr wenige amerindische Artefakte ergeben: Keramikscherben, Steinger\u00e4te, die offensichtlich zum Gravieren der Felsen verwendet wurden, und ein kleines St\u00fcck roter Ocker, was darauf hindeutet, dass die Petroglyphen bemalt waren. Auf anderen Inseln der Region wurden tats\u00e4chlich Farbreste auf pr\u00e4kolumbischen Felsgravuren beobachtet.<\/p>\n

Anscheinend lag die St\u00e4tte von Montravail abseits der pr\u00e4kolumbischen Siedlungen: Die n\u00e4chsten bekannten Amerindianischen Siedlungsst\u00e4tten befinden sich einige Kilometer entfernt an der K\u00fcste von Sainte-Luce. Tats\u00e4chlich ist Montravail eine der wenigen pr\u00e4kolumbischen arch\u00e4ologischen St\u00e4tten in Martinique, die im Landesinneren entdeckt wurden. Die dort gefundenen Keramiken deuten darauf hin, dass die Felskunst von den Saladoiden in einer Phase zwischen 350 und 700 n. Chr. praktiziert wurde.<\/p>\n

Urspr\u00fcnglich aus dem Orinoco-Becken (S\u00fcdamerika) stammend, verbreitete sich das saladoide Volk, das eine arawakische Sprache sprach, allm\u00e4hlich ab dem 5. Jahrhundert v. Chr. im Antillenbogen und brachte ein d\u00f6rfliches Leben, Gartenbau, die Verwendung von Keramik sowie Symbole und Glaubensvorstellungen auf die Inseln. In der saladoiden Kultur hatte die Felskunst anscheinend eine rituelle Funktion, aber ihre Interpretation bleibt sehr schwierig. Was k\u00f6nnten die eingravierten Gesichter von Montravail und vielen anderen pr\u00e4kolumbischen St\u00e4tten in der Karibik darstellen? Geister? Bedeutende Individuen? Was k\u00f6nnte die Symbolik der kreisf\u00f6rmigen oder ovalen Motive sein? Und welchem Zweck k\u00f6nnten die \u201eSch\u00e4lchen\u201c dienen, die manchmal karibische Petroglyphen begleiten? Diese Zeugnisse in den Felsen sind von Geheimnissen umgeben…<\/p>\n

S\u00e9bastien PERROT-MINNOT<\/div>\n
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D\u00e9couvrez un une mise en voix<\/strong><\/p>\n

Texte : <\/strong>S\u00e9bastien PERROT-MINNOT
\n<\/strong>Enregistrement<\/strong> : Studio Raggioli<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row thb_divider_position=”bottom”][vc_column css=”.vc_custom_1718119545765{padding-top: 50px !important;}”][vc_raw_html]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[\/vc_raw_html][\/vc_column][\/vc_row][vc_row thb_divider_position=”bottom” css=”.vc_custom_1718119510028{padding-top: 50px !important;}”][vc_column][vc_column_text]\n

Podcast<\/strong> : “Arch\u00e9ologie Cara\u00efbe – Myst\u00e8res des Roches Grav\u00e9es de Montravail”
\nSuivez l’expert S. Perrot-Minnot<\/span> dans cette exploration fascinante des p\u00e9troglyphes de Montravail en Martinique.<\/p>\n

D\u00e9couvrez tr\u00e9sors arch\u00e9ologiques et l’importance de pr\u00e9server ce patrimoine.<\/p>\n

\ud83d\udc49 \u00c9coutez maintenant: spotify<\/a><\/strong>
\n\ud83d\udc49 \u00c9coutez maintenant: Apple Podcast\u00a0<\/a><\/strong>[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row thb_divider_position=”bottom” css=”.vc_custom_1718119704272{padding-top: 50px !important;padding-bottom: 50px !important;}”][vc_column][vc_tta_tabs][vc_tta_section title=”Fran\u00e7ais” tab_id=”1718117850892-db298b2d-5110″][vc_column_text] Les roches grav\u00e9es de Montravail L\u2019art rupestre, qui consiste \u00e0 cr\u00e9er des motifs sur la roche naturelle, est une des plus anciennes formes d\u2019expression graphique de l\u2019Humanit\u00e9. Attest\u00e9 depuis plus de 40 000 ans, il a \u00e9t\u00e9 pratiqu\u00e9 par des soci\u00e9t\u00e9s traditionnelles \u00e0 travers le monde,…<\/p>\n","protected":false},"author":1,"featured_media":915,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"class_list":["post-762","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-category-petroglyphes"],"yoast_head":"\nPlongez dans l'art rupestre am\u00e9rindien du site de Montravail.<\/title>\n<meta name=\"description\" content=\"D\u00e9couvrez Arch\u00e9ologie Cara\u00efbe et explorez les myst\u00e9rieuses roches grav\u00e9es de Montravail en 3D. Une exp\u00e9rience immersive unique depuis chez vous.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.archeologiecaraibes.com\/?portfolio=art-rupestre-amerindien-montravail\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Plongez dans l'art rupestre am\u00e9rindien du site de Montravail.\" \/>\n<meta property=\"og:description\" content=\"D\u00e9couvrez Arch\u00e9ologie Cara\u00efbe et explorez les myst\u00e9rieuses roches grav\u00e9es de Montravail en 3D. 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